By Doris L. Rich
She died mysteriously sooner than she used to be 40. but within the final decade of her existence Amelia Earhart soared from obscurity to status because the best-known woman aviator on the earth. She set list after record—among them, the 1st trans-Atlantic solo flight by way of a lady, a flight that introduced Earhart on a double profession as a fighter for women's rights and a tireless crusader for advertisement air shuttle. Doris L. Rich's exhaustively researched biography downplays the “What occurred to Amelia Earhart?” delusion via disclosing who Amelia Earhart relatively was once: a lady of 3 centuries, born within the 19th, pioneering within the 20th, and advocating beliefs and desires appropriate to the twenty-first.
From Publishers Weekly:
With a mixture of bold and adroit public kin, Amelia Earhart reigned as "Queen of the Air" through the interval among her first transatlantic flight in 1928 and her premature disappearance over the Pacific 9 years later. This fast moving, richly distinct biography unearths an aloof, self reliant lady who grimly continued the general public clamor and cross-country lecture circuit with a view to fund her wish to fly. In 1931 she married her publicist, George P. Putnam, whose brash schemes to capitalize on her aviation feats grew to become more and more foolhardy, major as much as her ultimate, deadly attempt to fly around the globe. the writer indicates Earhart used to be additionally a tireless champion of women's rights, pacifism and advertisement aviation, which was once nonetheless in its infancy. whereas a few puzzled her flair as a pilot, few denied the promotional charm of this beautiful "Lady Lindy." wealthy, whose diversified occupation has incorporated journalism, images and instructing, vividly reminds us how primitive and hazardous early flight used to be. Illustrations no longer noticeable by means of PW.
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Additional resources for Amelia Earhart: A Biography
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21. Useful essays in G. W. , Rediscovering Hellenism: The Hellenic Inheritance and the English Imagination (1989); for new ideology in Greece, E. Bastéa, The Creation of Modern Athens, Planning the Myth (2000). 22. A recent study investigates these issues thoroughly: Donald Reid, Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I (2002); for a more general discussion of cultural property and ethical issues, see Colin Renfrew, Loot, Legitimacy and Ownership: The Ethical Crisis in Archaeology (2000).
19. -M. , Egyptomania: Egypt in Western Art, 1730–1930 (1994), to be read with a review by Brian A. Curran, Art Bulletin 78 (1996): 739–44; and by J. S. Curl, Egyptomania: The Egyptian Revival: A Recurring Theme in the History of Taste (1994). 20. C. -M. Humbert et al. (1994): 227–35; also illustrated is a Sèvres tea service taken by Napoleon to Saint Helena (240–241). The large numbers of dinner services and dining paraphernalia from many countries, monarchs, and groups on exhibit in Apsley House in London shows that this was to be a typical offering to the Duke, but only the service from Louis XVIII features Egyptian themes.
25. L. Troy, Patterns of Queenship in Ancient Egyptian Myth and History (1986): 178–79; see also H. Gauthier, Le livre des rois d’Égypte (1916): 410–18. 36 Cleopatra, Queen of Egypt 26. P. Köln 81 lists all of Cleopatra III’s cult titles; see also G. Hölbl (2001): 285 for a list of eponymous Alexandrian priesthoods. 27. C. Traunecker, Coptos, Hommes et Dieux sur le Parvis de Geb (1992): 272–303 for a translation of the texts and discussion on the bark shrine. Traunecker suggests that the identity of the male ruler might be Ptolemy XIV.
