By Kimberly Reynolds, Geraldine Brennan, Kevin McCarron
The improvement of the horror style in childrenÆs literature has been a startling phenomenon û person who has provoked robust, yet combined, reactions. scary Fiction offers a lucid and energetic advisor to that style, starting from analyses of such well known sequence as element Horror, Goosebumps, the X records and the Buffy tales, to the paintings of person authors corresponding to Robert Westall, David Almond, Philip Gross and Lesley Howarth.
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Extra info for Frightening Fiction (Contemporary Classics in Children's Literature)
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Cooney In an article focusing on the displacement of traditional romance fiction in favour of horror fiction in Britain's libraries, Olga Craig wrote in The Sunday Times: 42 FRIGHTENING FICTION R. L. Stine, [Point Horror's] top ghoul writer and author of The Dead Girlfriend, has soared from 155th to 27th in the top 200, joined by stablemate Caroline B. 16 Craig's summary of Stine as a 'ghoul' writer is inaccurate, but can be applied to Caroline B. Cooney. While Stine is Point Horror's most successful writer of thrillers, Cooney is Point Horror's most successful writer of juvenile tales of the supernatural.
That Kip and Lucy might be so old now provokes Ashley's compassion far more than their actual deaths would have done. I would suggest that one of the reasons Stine is so popular among adolescent readers is that this fearful episode is offered quite without irony. Like The Girlfriend, Hit and Run (1992) is another of the numerous Stine novels in which nobody dies, or at least, in this case, nobody who was not dead prior to the commencement of the narrative. The promise of murder, like the promise of sex, is often quite sufficient for Stine's audience.
The world depicted in adolescent horror fiction is one of cartoon violence and death, one which actually removes the reality of death from the adolescent consciousness. Virtually all deaths in Point Horror novels are accidental, in the sense that they are never part of the natural order. In R. L. Stine's The Hitchhiker (1993) James reflects on his move to Key West: 'He had moved there with his aunt when he was twelve. After the accident. After both of his parents had been smeared across the highway' (3).
