Download e-book for kindle: New Critical Essays on James Agee and Walker Evans: by Caroline Blinder (eds.)

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A key link in the sleep/ sex/death chain is the famous passage in which Agee evokes rather than describes the Gudger family asleep in the adjoining room (FM, 51–52), and so fully that he imagines himself joining them, more than metaphorically, in sleep: “I become not my own shape and weight and self, but that of each of them, the whole of it, sunken in sleep like stones; so that I know almost the dreams they will not remember, and the soul and body of each of these seven” (FM, 52). His descriptions take in the intimate parts of their bodies and, during the following pages, which are partly a kind of aftereffect of this reverie and partly a continuation of it, he speculates on George’s sexual feelings for his sister-in-law Emma, and hers for him; and he even wonders about the possibility of Emma desiring to go to bed, perhaps simultaneously, with George, Walker Evans, and himself!

With these brief O n t h e Porc h a n d i n t h e Ro om 51 vignettes as a condensed and highly symbolic introduction to his axiology of entry, Agee anchors his fuller exploration in the houses of the three tenant families, and especially in the Gudgers’ dwelling. Perhaps it is worth noting that the Gudger house appears to be of a distinct type familiar to students of folk architecture. Based on what we can tell from Agee’s descriptions and Evans’s photographs of the front and rear façades, it seems to be a “double-pen” structure with open central passageway, all covered by a continuous transverse roof.

The subjects of the photographs . . ”8 But let us look at that first image. Given its premier position in the text, the surprise is that most commentators have ignored it, and only a few have tarried over any aspect of it. Some remark, at best, that it depicts the landlord of one of the tenants and notes his crumpled jacket. 1 Walker Evans, “Landowner in Moundville, Alabama” 1936 Source: Courtesy of Library of Congress, Prints and Photographs Division, FSA-OWI Collection [Reproduction number: LC-USF342-008127-A].

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