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By Edith Grossman
Why Translation issues argues for the cultural value of translation and for a extra encompassing and nuanced appreciation of the translator’s position. because the acclaimed translator Edith Grossman writes in her creation, “My goal is to stimulate a brand new attention of a space of literature that's too frequently missed, misunderstood, or misrepresented.”For Grossman, translation has a transcendent value: “Translation not just performs its vital conventional position because the implies that permits us entry to literature initially written in a single of the numerous languages we won't learn, however it additionally represents a concrete literary presence with the the most important skill to ease and make extra significant our relations to these with whom we won't have had a connection ahead of. Translation constantly is helping us to grasp, to determine from a unique perspective, to characteristic new price to what as soon as could have been unexpected. As countries and as contributors, now we have a serious desire for that sort of knowing and perception. the choice is unthinkable.”Throughout the 4 chapters of this bracing quantity, Grossman’s trust within the an important importance of the translator’s paintings, in addition to her infrequent skill to give an explanation for the highbrow sphere that she inhabits as interpreter of the unique textual content, conjures up and provokes the reader to have interaction with translation in a completely new manner.
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ISBN 978-0-300-12656-3 (cloth : alk. paper) 1. Literature— Translations. 2. Translating and interpreting. I. Title. 02-dc22 2009026510 A catalogue record for this book is available from the British Library. 48-1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 selected translations by edith grossman Miguel de Cervantes, Don Quixote The Golden Age: Poems of the Spanish Renaissance Gabriel García Márquez, Memories of My Melancholy Whores; Living to Tell the Tale; News of a Kidnapping; Of Love and Other Demons; Strange Pilgrims; The General in His Labyrinth; Love in the Time of Cholera Mario Vargas Llosa, The Bad Girl; The Feast of the Goat; The Notebooks of Don Rigoberto; Death in the Andes Mayra Montero, Dancing to “Almendra;” Captain of the Sleepers; Deep Purple; The Red of His Shadow; The Last Night I Spent With You; The Messenger; In the Palm of Darkness Julián Ríos, Monstruary; Loves That Bind Carmen Laforet, Nada Alvaro Mutis, The Adventures and Misadventures of Maqroll Carlos Fuentes, Happy Families Antonio Muñoz Molina, A Manuscript of Ashes Santiago Roncagliolo, Red April Eliseo Alberto, Caracol Beach Augusto Monterroso, Complete Works and Other Stories contents Preface Introduction: Why Translation Matters 1 one Authors, Translators, and Readers Today two Translating Cervantes three Translating Poetry A Personal List of Important Translations Works Cited Acknowledgments Index preface In 2007 Professor María Rosa Menocal invited me to Yale University to initiate an annual lecture series under the auspices of the Whitney Center for the Humanities.
This image of performance may account for the fact that, surprisingly enough, I always seem to conceive of and discuss the translating process as essentially auditory, something immediately available to other people, as opposed to a silent, solitary process. I think of the author's voice and the sound of the text, then of my obligation to hear both as clearly and profoundly as possible, and finally of my equally pressing need to speak the piece in a second language. Especially in the translation of poetry, which I discuss at greater length in chapter 3, this practice is not purely metaphorical.
For those of us who take literature very seriously, picking up a work of fiction is the start of an adventure comparable in anticipatory excitement to what I imagine is felt by an athlete warming up for a competition, a mountain climber preparing for the ascent: it is the beginning of a process whose outcome is unknown, one that promises the thrill and elation of success but may as easily end in bitter disappointment. Committed readers realize at a certain point that literature is where we have learned a good part of the little we know about living.